RU| ENG
Anna P. Navetnaya — PhD in Art History, Head of the Department of Music Theory, Associate Professor of the Department of Musicology and Composition, State Musical Pedagogical Institute named after M. M. Ippolitov-Ivanov.
Anastasija A. Koroleva — a first-year postgraduate student of the Department of Musicology and Composition, State Musical Pedagogical Institute named after M. M. Ippolitov-Ivanov.
Anastasija A. Koroleva — a first-year postgraduate student of the Department of Musicology and Composition, State Musical Pedagogical Institute named after M. M. Ippolitov-Ivanov.
State Music and Pedagogical Institute named after M. M. Ippolitov-Ivanov, Moscow, Russia, annanavetnaya@gmail.com1, anastasiakoroleva@imternet.ru2, ORCID: 0000 0003 0323-34191, ORCID: 0009-0002-0649-12102
Abstract
The article is devoted to the composition of the outstanding contemporary composer M. Bronner. The orchestral concert "Zugzwang" is considered as a vivid expression of the author's style and an original example of the genre interpretation. Based on the semantic “keys” embedded in the title, the specifics of the musical dramaturgy and structure of the work, the philosophical and ethical dimensions of the score are revealed. Attention is paid to the characteristic musical lexemes that constitute the composer's recognizable style.
Keywords
M. Bronner, genre transformation, concert, symphony, dramaturgy, lexeme, semantic code, narrative
REFERENCES
1. Dragoj D. V. Jevoljucija zhanra «koncert» v tvorchestve kompozitorov raznyh jepoh [The Evolution of the ‘Concerto’ Genre in the Work of Composers of Different Epochs] // Mezhdunarodnyj nauchnyj zhurnal «VESTNIK NAUKI» [Herald of Science]. 2024. № 2 (71). P. 413–421.
2. Zav'jalov E. N. Razvitie zhanra koncerta dlja orkestra v otechestvennoj muzyke s nachala 1960-h godov [The Development of the Orchestra Concerto Genre in Russian Music Since the Early 1960s] // Muzykal'nyj zhanr i stil' [Musical Genre and Style]. 2021. № 1. P. 85–94.
3. Gustav Maler: Pis'ma, vospominanija [Gustav Mahler: Letters, Memories] / Sost. I. Barsova, per. s nem. S. Osherov [comp. by I. Barsova, trans. from German by S. Osherov]. Moscow, 1968. 608 p.
4. Zav'jalov E. N., Zhossan N. Ju. Koncert dlja orkestra v kontekste otechestvennoj duhovnoj muzyki na rubezhe XX–XXI vekov [Concerto for Orchestra in the Context of Russian Sacred Music at the Turn of the 21st Century] // Muzykal'nyj zhanr i stil' [Musical Genre and Style]. 2023. № 2. P. 85–94.
5. Barsova I. A. Simfonii Gustava Malera [The Symphonies of Gustav Mahler]. Moscow, 1975. 496 p.
6. Chernova T. Ju. Dramaturgija v instrumental'noj muzyke [Dramaturgy in Instrumental Music]. Moscow, 1984. 144 p.
2. Zav'jalov E. N. Razvitie zhanra koncerta dlja orkestra v otechestvennoj muzyke s nachala 1960-h godov [The Development of the Orchestra Concerto Genre in Russian Music Since the Early 1960s] // Muzykal'nyj zhanr i stil' [Musical Genre and Style]. 2021. № 1. P. 85–94.
3. Gustav Maler: Pis'ma, vospominanija [Gustav Mahler: Letters, Memories] / Sost. I. Barsova, per. s nem. S. Osherov [comp. by I. Barsova, trans. from German by S. Osherov]. Moscow, 1968. 608 p.
4. Zav'jalov E. N., Zhossan N. Ju. Koncert dlja orkestra v kontekste otechestvennoj duhovnoj muzyki na rubezhe XX–XXI vekov [Concerto for Orchestra in the Context of Russian Sacred Music at the Turn of the 21st Century] // Muzykal'nyj zhanr i stil' [Musical Genre and Style]. 2023. № 2. P. 85–94.
5. Barsova I. A. Simfonii Gustava Malera [The Symphonies of Gustav Mahler]. Moscow, 1975. 496 p.
6. Chernova T. Ju. Dramaturgija v instrumental'noj muzyke [Dramaturgy in Instrumental Music]. Moscow, 1984. 144 p.
Received: 01.09.2025
Accepted: 15.09.2025
Issue №3 (8) September 2025
Pages
54-73
Pages
54-73
