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Yulia V. Gaisina1 – PhD of Arts, senior methodologist for the training of highly qualified personnel of the Gnesin Russian Academy of Music.
Elena Y. Moiseevich2 – 1 year post-graduate student, Department of Musicology and Composition of the State Musical Pedagogical Institute named after M. M. Ippolitov‑Ivanov.
Elena Y. Moiseevich2 – 1 year post-graduate student, Department of Musicology and Composition of the State Musical Pedagogical Institute named after M. M. Ippolitov‑Ivanov.
Russian Academy of Music Gnessins1, State Musical Pedagogical Institute named after M. M. Ippolitov‑Ivanov, Moscow, Russia, juliagay@ya.ru1, moilen@mail.ru2.
Abstract
The article focuses on the study of local song traditions of villages and hamlets located along the Oka River in the Tula and Kaluga regions within the framework of calendar rituals and gives a comparative characteristic of their musical component. The authors consider forms of interaction between the two types of rituals on these territories and define the terms and dates of the rituals. Poetic texts of spring invocations, meanings of special "key" words, musical examples serve as a comparison material, and the analysis of musical structural peculiarities of ritual songs is presented. At the end of the article general conclusions are given.The article is devoted to the spring calendar rituals of villages and villages located along the Oka River in the Tula and Kaluga regions, a comparative characteristic of the musical component of the two territories is given.
Keywords
invocations, spring calendar rituals, meeting of spring, invocation of spring, song tradition
REFERENCES
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2. Agapkina T. A. Jetnograficheskie svjazi kalendarnyh pesen: vstrecha vesny v obrjadah i fol'klore vostochnyh slavjan [Ethnographic connections of calendar songs [Text] : the meeting of spring in the rituals and folklore of the Eastern Slavs / T. A. Agapkina]. Moscow, 2000. 334 p.
3. Gajsina Ju. V. Verhneokskaja pesennaja tradicija Tul'skogo regiona kak jetnomuzykal'naja Sistema [Verkhneok song tradition of the Tula region as an ethnomusicological system]: diss. ... kand. isk. Moscow, 2008. 250 p.
4. Gippius E. V. Obshheteoreticheskij vzgljad na problemu katalogizacii narodnyh melodij // Aktual'nye problemy sovremennoj fol'kloristiki [A general theoretical view on the problem of cataloguing folk melodies // Actual problems of modern folkloristics]. Leningrad, 1980. P. 23–36.
5. Gippius E. V. Problemy areal'nogo issledovanija tradicionnoj russkoj pesni v oblastjah ukrainskogo i belorusskogo pogranich'ja // Tradicionnoe muzykal'noe iskusstvo i sovremennost' (voprosy tipologii) [Problems of the areal study of traditional Russian song in the regions of the Ukrainian and Belarusian borderlands // Traditional Musical Art and Modernity (questions of Typology)]/ Trudy GMPI im. Gnesinyh. Vyp. 60. Moscow, 1982. P. 5–13.
6. Engovatova M. A., Efimenkova B. B. Zvukovysotnaja organizacija russkih narodnyh pesen v svete strukturno-tipologicheskih issledovanij // Mir tradicionnoj muzykal'noj kul'tury: Sb. Trudov [The sound-pitch organization of Russian folk songs in the light of structural and typological research / M. A. Engovatova, B. B. Efimenkova // The world of traditional musical culture: Collection of works.]. Vyp. 174. M.: RAM im. Gnesinyh, 2008. P. 6–44.
7. Efimenkova B. B. Ritm v proizvedenijah russkogo vokal'nogo fol'klora [Rhythm in the works of Russian vocal folklore]. Moscow, 2001. 356 p.
8. Pashina O. A. Kalendarno-pesennyj cikl u vostochnyh slavjan[The calendar-song cycle among the Eastern Slavs]. Moscow, 1998. 292 p.
Received: 30.01.2024
Accepted: 11.03.2024
Issue №1(2) March 2024
Pages
74-85
Pages
74-85
