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Vera N. Nebolsina – the Honored Artist of Russia, the Honored Artist of the Komi Republic, Corresponding Member of the Russian Academy of Natural Sciences, Professor at the Department of the Academic Vocal Singing at State Musical Pedagogical Institute named after M. M. Ippolitov-Ivanov.
State Musical Pedagogical Institute named after M. M. Ippolitov-Ivanov, Moscow, Russia, vera.nebolsina@mail.ru
Abstract
The article examines the interaction and synthesis of various arts in an opera, the style of ''bel canto'' as the model of vocal sound. A comparative analysis is carried out on the material of the premiere performances of V. Bellin’s opera “La Sonnambula” on the stage of the GABT of Russia and Deutsche Oper Berlin.
Keywords
opera performance, director’s interpretation, music is the basis of stage performance, the ''bel canto'' style, performers’ interpretation of parts
REFERENCES
1. Kalashnikov Yu. S. Teatral'naya etika Stanislavskogo [Stanislavsky's theatrical ethics]. Moscow, 1960. 147 p.
2. Leyferkus S. P. Trudno byt' zlodeem, ili malen'kie sekrety bol'shoy opery [It's hard to be a villain, or the little secrets of the bolshoi opera]. Moscow, 2016. 320 p.
2. Leyferkus S. P. Trudno byt' zlodeem, ili malen'kie sekrety bol'shoy opery [It's hard to be a villain, or the little secrets of the bolshoi opera]. Moscow, 2016. 320 p.
Received: 15.04.2024
Accepted: 10.06.2024
Issue №2(3) June 2024
Pages
79-85
Pages
79-85
